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	<title>Leticia Cordero Mote</title>
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	<description>Leticia Cordero Mote</description>
	<pubDate>Sat, 09 Aug 2025 23:28:43 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://leticiacorderomote.com/Home-1</link>

		<pubDate>Mon, 15 Feb 2021 10:36:19 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

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	Leticia Cordero Mote
      
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		<title>In times of war we gather seeds</title>
				
		<link>https://leticiacorderomote.com/In-times-of-war-we-gather-seeds</link>

		<pubDate>Sat, 09 Aug 2025 23:28:43 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

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 In times of war we gather seeds




&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/a8c8cff16cba1e639d8b336db07416c00c7ca266d9a5acba62801bc8620c50e5/Performances---Arrastrando-un-cuerpo---JJCG-116Ex-Teresa-Arte-Actual--Javier-Cruz-Galvan.jpg" data-mid="236868387" border="0"  src="https://freight.cargo.site/w/1000/i/a8c8cff16cba1e639d8b336db07416c00c7ca266d9a5acba62801bc8620c50e5/Performances---Arrastrando-un-cuerpo---JJCG-116Ex-Teresa-Arte-Actual--Javier-Cruz-Galvan.jpg" /&#62;
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&#60;img width="2333" height="3500" width_o="2333" height_o="3500" data-src="https://freight.cargo.site/t/original/i/c7028da49ca0664fcb982b3b277818cb5e8ce0b686226e7c70bb33964d77b7df/Performances---Arrastrando-un-cuerpo---JJCG-117-Ex-Teresa-Arte-Actual--Javier-Cruz-Galvan.jpg" data-mid="236868388" border="0"  src="https://freight.cargo.site/w/1000/i/c7028da49ca0664fcb982b3b277818cb5e8ce0b686226e7c70bb33964d77b7df/Performances---Arrastrando-un-cuerpo---JJCG-117-Ex-Teresa-Arte-Actual--Javier-Cruz-Galvan.jpg" /&#62;
 Photos: Javier Cruz Galván
A performance in Mexico City's Zócalo using a circular cardboard ocean drum—inspired by a pre-Hispanic instrument made by Rubén Yodoquinsi—modified with rice and bean seeds instead of pellets. The object was placed inside a shawl (rebozo) and carried on the body, generating oceanic sounds through body movement.

The sound of the sea evokes the arrival of foreign ships to American shores, establishing a dialogue between the contemporary body and historical memory. The action takes place in the symbolic space of the Zócalo, confronting national projects while seeking a gesture of reconciliation with the legacies of colonial violence.

This proposal is conceptually connected to the project Where the Root is Braided.
	



&#38;nbsp;Video por Eugenia Vargas Pereira.&#38;nbsp;Ex Teresa Arte Actual, Taller Arrastrando un cuerpo. 14.06.25. Zócalo, CDMX</description>
		
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		<title>Where the root is braided </title>
				
		<link>https://leticiacorderomote.com/Where-the-root-is-braided</link>

		<pubDate>Sat, 09 Aug 2025 23:13:29 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

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		<description>Where the root is braided

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	&#38;nbsp;Lab Program, Beca x Obra
An installation that emerges from the encounter with a dead palm tree, establishing connections with the Reforma anti-monument in Mexico City (also called El Ahuehuete), dedicated to disappeared persons. The work reflects on the use of living elements as monuments and the transient phenomena between life and death.

The found palm tree is placed on bricks in the exhibition space, evoking processes of self-construction. A papier-mâché mask accompanies it, directing its gaze toward a "body-landscape": a blanket that retains the imprint of the artist's body after wrapping herself in it. This body imprint questions the artificial separation between body and nature, proposing the concept of a "relational landscape" as a fabric of affection between the human and the more-than-human.

Reed poles—ritual elements associated with year-counting ceremonies and fireworks—complete the installation, along with "El Requerimiento," a colonial document that legitimized the conquest of Abya Yala. This text, originally in Latin and speculatively read without an audience or translation, is transformed into material for documentary poetry played through a loudspeaker.

The work interweaves historical memory, colonial violence, and reconciliation with territories and bodies, poetically subverting discourses of domination.

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		<title>About Artistic Research</title>
				
		<link>https://leticiacorderomote.com/About-Artistic-Research</link>

		<pubDate>Sat, 09 Aug 2025 22:24:06 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

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		<description>About Artistic Research

						




	Febrero 2023, Space Camp, Tanzhaus Zurich.&#38;nbsp;
This video, created during the Space Camp residency at Tanzhaus Zürich, reflects on the coThis video, created during the Space Camp residency at Tanzhaus Zürich, reflects on the complexities of collaborative work. The piece consciously positions itself against spectacle, prioritizing collective creative processes.The video interweaves images of explorations of the Tanzhaus stage, dance sessions with fellow residents, and footage of working with the earth in a Catalan village. The soundtrack incorporates moans associated with tantric breathing practices, creating an atmosphere of intimacy and bodily connection.The textual component, read aloud sporadically, was developed from Roland Barthes's "A Lover's Discourse: Fragments," reinterpreted under the premise, of writing about collaborative methods using this text as a foundation. The piece articulates working with the earth, embodiment, vitality, sexuality, and collaboration as interwoven elements in the desire to conceive and sustain creative projects. It constitutes both a learning experience about the difficulties of collective work and a search for new forms of creative relationality, connecting with the artist's current interest in systemic change organizations.</description>
		
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		<title>Water from the forest egg </title>
				
		<link>https://leticiacorderomote.com/Water-from-the-forest-egg</link>

		<pubDate>Wed, 14 Sep 2022 13:35:14 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

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Water from the forest egg: Dwelling in uncertainty


	
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Water from the forest egg, Bern Academy of the Arts, Switzerland.. (2022) Documentation:Ben Zurbriggen Collaborators: Yue Cao, Nanny Friebel, Alexandra Lapierre, Sarah Gos, and Sheila Sanfeliz.
Master's thesis project at the Academy of Arts in Bern, Switzerland, structured around a poem as a creative score. The work interweaves the poetics of the origin of cacao with the production of the first genetically generated chocolate in a Swiss laboratory, questioning the relationships of ownership and care of landscapes and ecosystems. Four human bodies dressed in military green establish a performative dialogue with cacao as the central interlocutor: singing to it, playing with it, using it as a corporal landscape, and recalling links with ancestral traditions and customs. This interaction questions extractive dynamics and proposes alternative forms of relationality with natural elements. The project culminates in an uncertain territory: faced with the possible extinction of cacao trees due to global warming, laboratory-produced chocolate could become the only vestige of an environment and potential we know today. This critical speculation interrogates the possible futures of our relationships with nature and the processes of industrialization. The work articulates decolonial, ecological and futuristic concerns, using cocoa as a vehicle to reflect on extractivism, cultural memory and contemporary ecosystem transformations.

</description>
		
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	<item>
		<title>A camera in the animal's eyes</title>
				
		<link>https://leticiacorderomote.com/A-camera-in-the-animal-s-eyes</link>

		<pubDate>Thu, 15 Sep 2022 08:51:15 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

		<guid isPermaLink="true">https://leticiacorderomote.com/A-camera-in-the-animal-s-eyes</guid>

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A camera in the animal’s eyes




						



	

	
		
		
	
	
		
			
				
					
						Concept and direction: Leticia Cordero Mote&#38;nbsp;
Premiere: May 07, 2022, ACT Festival in Biel, Switzerland.&#38;nbsp;Performers:&#38;nbsp;
Yue Cao&#38;nbsp;
Sarah Gos
Leticia Cordero Mote&#38;nbsp;

Stage Designer:&#38;nbsp;Alexandra Lapierre

Music Composer: &#38;nbsp;Sheila Sanfeliz

Photos: Remy Erismann
 
	
	

	

	
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		<title>I have never ever reimagined care</title>
				
		<link>https://leticiacorderomote.com/I-have-never-ever-reimagined-care-1</link>

		<pubDate>Wed, 14 Sep 2022 13:52:06 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

		<guid isPermaLink="true">https://leticiacorderomote.com/I-have-never-ever-reimagined-care-1</guid>

		<description>
I have never ever reimagined care



						



	

	
		
		
	
	
		
			
				
					
						Concept and lecto-performance: 
Leticia Cordero Mote&#38;nbsp;
Performed: 
OnCurating-COMPOST The Open Bin&#38;nbsp;
	


	
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&#60;img width="886" height="591" width_o="886" height_o="591" data-src="https://freight.cargo.site/t/original/i/ce16da96b7a375dc1bab6b239c81efcb27d57389917f0eb1dd4fbc8a700d2f42/foto1.jpg" data-mid="152941788" border="0"  src="https://freight.cargo.site/w/886/i/ce16da96b7a375dc1bab6b239c81efcb27d57389917f0eb1dd4fbc8a700d2f42/foto1.jpg" /&#62;
&#60;img width="304" height="379" width_o="304" height_o="379" data-src="https://freight.cargo.site/t/original/i/23c8442ed04debb420e905acf8d5b57d6f080e22d9afc1c38ba13613719f8eb2/foto-3.jpg" data-mid="152941790" border="0"  src="https://freight.cargo.site/w/304/i/23c8442ed04debb420e905acf8d5b57d6f080e22d9afc1c38ba13613719f8eb2/foto-3.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>The Best Decision Ever</title>
				
		<link>https://leticiacorderomote.com/The-Best-Decision-Ever</link>

		<pubDate>Thu, 15 Sep 2022 13:39:48 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

		<guid isPermaLink="true">https://leticiacorderomote.com/The-Best-Decision-Ever</guid>

		<description>
The Best Decision Ever





	

	
		
		
	
	
		
			
				
					
						Concept and performance: Leticia Cordero Mote&#38;nbsp;
Camera:
Camille Conrad Rasseneur


 
	
	

	&#38;lt;

	
</description>
		
	</item>
		
		
	<item>
		<title>Wide at Heart</title>
				
		<link>https://leticiacorderomote.com/Wide-at-Heart</link>

		<pubDate>Fri, 29 Oct 2021 15:24:32 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

		<guid isPermaLink="true">https://leticiacorderomote.com/Wide-at-Heart</guid>

		<description>&#38;nbsp; 

	

Original concept:Leticia Cordero Mote


Collaborators:

Weronika Grzes, Tejus Menon and Candid Rütter&#38;nbsp;

Offered at:

Könizberg, Bern, Switzerland&#124; Oct 24, 2021
Photo credit:Leticia Cordero Mote and

Béa Rietschi Näf
	


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&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a4697a3359e6b98db967d8e2d8c350c6707d93b83999dffdbe7c1d534643d839/signal-2021-10-30-201424_010.jpeg" data-mid="123126283" border="0"  src="https://freight.cargo.site/w/1000/i/a4697a3359e6b98db967d8e2d8c350c6707d93b83999dffdbe7c1d534643d839/signal-2021-10-30-201424_010.jpeg" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/828d15bba034232586841982e34fe1365b9d9f385b3506ae281451e69f303b45/signal-2021-10-30-201424_011.jpeg" data-mid="123126282" border="0"  src="https://freight.cargo.site/w/1000/i/828d15bba034232586841982e34fe1365b9d9f385b3506ae281451e69f303b45/signal-2021-10-30-201424_011.jpeg" /&#62;
&#38;nbsp;
 



	Practice that explores the materiality of cacao through an interactiive and collective exploration. An exercise of presence and senses.










</description>
		
	</item>
		
		
	<item>
		<title>Clay as a mushroom</title>
				
		<link>https://leticiacorderomote.com/Clay-as-a-mushroom</link>

		<pubDate>Tue, 16 Feb 2021 15:42:13 +0000</pubDate>

		<dc:creator>Leticia Cordero Mote</dc:creator>

		<guid isPermaLink="true">https://leticiacorderomote.com/Clay-as-a-mushroom</guid>

		<description>&#38;nbsp;&#38;nbsp; &#38;nbsp; Clay as a mushroom

	Concept, research and score:

Leticia Cordero Mote.
Work in progress presented at:
Bern University of Arts&#124; December 19, 2020.
Photo credit:
Benedikt Greiner.
Music:

 Zonkairos


	


	
	



	
&#60;img width="2048" height="1280" width_o="2048" height_o="1280" data-src="https://freight.cargo.site/t/original/i/df6176657a77d406e45e4febf9873f0fecb0bc45ec90b5311bdede0bb08cc296/146064011_1124990004603309_700779250512895415_o.jpg" data-mid="99066480" border="0"  src="https://freight.cargo.site/w/1000/i/df6176657a77d406e45e4febf9873f0fecb0bc45ec90b5311bdede0bb08cc296/146064011_1124990004603309_700779250512895415_o.jpg" /&#62;
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&#60;img width="2048" height="1280" width_o="2048" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ddb48a5595a44ef749da0918ccf8c923ca7dda827dc84af406b6768281c710af/145944659_1124990011269975_707941548410834140_o.jpg" data-mid="99066466" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ddb48a5595a44ef749da0918ccf8c923ca7dda827dc84af406b6768281c710af/145944659_1124990011269975_707941548410834140_o.jpg" /&#62;

	

&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1516aa59d308d67e7dfcad962145fdc6f5195c3803610dd2f4c9b1c43bca03e5/IMG-20201219-WA0010.jpg" data-mid="99167916" border="0"  src="https://freight.cargo.site/w/1000/i/1516aa59d308d67e7dfcad962145fdc6f5195c3803610dd2f4c9b1c43bca03e5/IMG-20201219-WA0010.jpg" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/2851fe662f0c0df88c48b8102db6ba56a22925f52509cda901c9a297fe1fb84b/IMG-20201219-WA0009.jpg" data-mid="99167914" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/2851fe662f0c0df88c48b8102db6ba56a22925f52509cda901c9a297fe1fb84b/IMG-20201219-WA0009.jpg" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9900f4ccfcf6baa774841dd76513b3e0b2fffdad20ef3671c476cbfbc014a1d0/IMG-20201219-WA0011.jpg" data-mid="99167918" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/9900f4ccfcf6baa774841dd76513b3e0b2fffdad20ef3671c476cbfbc014a1d0/IMG-20201219-WA0011.jpg" /&#62;


&#38;nbsp; 

	
	
   



 


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